Celine Song’s Past Lives was nothing short of a modern masterpiece, tender, profound, and layered with emotional weight. It set an impossibly high bar for whatever she would make next. With Materialists, Song takes a very different route: lighter, wittier and far more playful. The shift may disappoint those expecting another soul-stirring meditation but it reveals something equally valuable, her range as a writer and director.
Where Past Lives relied on aching silences and the gravity of missed connections, Materialists thrives on dialogue. Song’s writing is sharp and I really enjoyed it.
Chris Evans gives one of his most surprising performances. He shows a softer side we don’t usually see from him. Dakota Johnson, as always, has natural charm, she makes even the lightest scenes feel special. Together, they work well with Celine Song’s quick and clever writing, keeping the film fun and engaging from beginning to end.
With Materialists, Song proves she can shift gears, offering a film that entertains, charms and reminds us that her talent lies not only in crafting profound heartbreak but also in capturing joy and wit.