Creator: Lee Sung Jin · 8 Episodes · Released April 16, 2026 · Netflix
★★★★☆I was excited about this one. Season 1 of Beef was good — really good in places — but it also had some weak episodes that slowed things down. So when they announced Season 2 with a completely new cast and a completely new story, I was not worried at all. I was just ready. And it delivered.
I actually liked Season 2 more than Season 1. I know that is not the popular opinion. But here we are.
The setting this time is a fancy country club in Montecito, California. Oscar Isaac plays Josh, the general manager — the guy who smiles at rich people all day and clearly wants to scream. Carey Mulligan plays Lindsay, his wife, a British interior designer who gave up a lot to be where she is and is not sure it was worth it. They are falling apart, slowly and then all at once.
Then there is Ashley (Cailee Spaeny) and Austin (Charles Melton) — young, broke, in love, working low level jobs at the same club. One night they accidentally walk in on Josh and Lindsay having the kind of fight that makes you wonder if someone is going to get hurt. Ashley films it on her phone. That video is the match. Everything else is the fire.
Isaac is great. He plays Josh as a man who has swallowed his feelings for so long he has forgotten what they taste like — until he cannot anymore. The moment he finally snaps is one of the best scenes in the whole season.
Mulligan is the one I cannot stop thinking about. She is not a villain and she is not a victim. She is just a woman who made choices that made sense at the time and is now living inside them.
But Mulligan is the one I cannot stop thinking about. Lindsay is exhausted and sharp and sad in a way that feels completely real. She is not a villain and she is not a victim. She is just a woman who made choices that made sense at the time and is now living inside them. Mulligan plays every layer of that without ever spelling it out. It is a masterclass in saying everything through what you do not say.
Cailee Spaeny and Charles Melton are also brilliant. Melton is warm and sweet at the start and slowly becomes someone more complicated. Spaeny goes in the opposite direction — starts sympathetic and ends up being, honestly, a bit of a nightmare. In the best way.
And Youn Yuh-jung as the Korean billionaire who owns the club shows up midseason and immediately becomes the most interesting person on screen every time she appears.
The final few episodes get a bit messy. There is an international crime subplot that comes out of nowhere and the ending is genuinely weak — it does not stick the landing, and after how strong the middle of the season is, that is a real shame. The first season had a focus that this one does not always manage to hold on to. Some of the commentary about class and money feels a little obvious too — though honestly, in 2026, maybe that is not the show’s fault.
The audience score of 60% makes sense to me. People expected Season 1 and got something different. That is fair. But different is not the same as worse.
Beef Season 2 is warm and angry and very funny in places and genuinely sad in others. It is the kind of show where you pause it to tell someone in the room what just happened.
Isaac and Mulligan are doing some of the best work of their careers and the writing is still sharper than almost anything else on television. It does not hit the same way Season 1 did for some people. For me it hit harder. Very much worth your time.